Digital Abstraction and Human Touch
Artists feed sketches into generative tools, then print, cut, and rework the outcomes, treating algorithms like unruly assistants. The best results feel less like software demos and more like kinetic scores, alive with cadence and chance.
Digital Abstraction and Human Touch
Against slick pixels, thick impasto and sanded edges reintroduce breath and grit. One collective shared how they run digital plots onto raw linen, then bruise the surface with charcoal rubbings, letting heat and humidity warp the geometry into feeling.